If you are New to pitching songs to Songrunner, PLEASE READ THE FOLLOWING:
  1. PREFERRED SONG PITCH METHOD:  low resolution MP3’s via email to (1 or 2 songs maximum per email, no zip files, UNDER 10mb PER EMAIL please)
  2. LINKS and PLAYLISTS OKAY (ie your weblist playists, your Box account, etc.) - Playlists/Folders should be specific to a Project & Spot (and be listed as such) and allow for downloads and streaming.
  3. CONTACT:  NO phone calls please – post questions via email.
  4. RESPONSES:  due to the large quantity of material being reviewed, you WILL NOT be contacted unless we are considering your pitch for a project.
  5. TARGET YOUR PITCHES:  please stay targeted to the “needs” or styles listed per project (NO GENERAL, or NON-PROJECT PITCHES!).
  6. LICENSING / INFO:  please include info with your pitch regarding what % of rights you license (master & synch), any relevant bio/info on artist and songs, etc.


Upcoming Projects - NO MUSIC NEEDED YET - please don't pitch (Stay Tuned for update)
"LOUDERMILK" (Season 1)  -  Television Series - comedy (Director/Creator Peter Farrelly, starring Ron Livingston) - Music Clearance Executive
"HIT THE ROAD" (Season 1)  -  Television Series - comedy (Starring Jason Alexander) - Music Supervisor / Music Producer
"YOU ME HER" (Season 3)  -  Television Series - comedy/drama


"YOU ME HER" (Season 2)  -  Television Series 

Cast:  Greg Poehler (Welcome To Sweden), Rachel Blanchard (Snakes On A Plane, Fargo, Peep Show), Priscilla Faia (Rookie Blue), Melanie Papalia (The Newsroom, Suits)
Network:  DirecTV's Audience Network
Production Company:  eOne Television 
Music Supervisor:  Mason Cooper
Status:  Post Production  

SYNOPSIS:  Centering around a suburban Portland, Oregon married couple, YOU ME HER pays homage to classic romantic comedy even while contorting it into “polyromantic comedy”: What began as an impulsive  “date” between the suburban husband Jack and neophyte escort Izzy in season one, spun into a whirlwind scenario that included Jack’s wife Emma. After running through the gauntlet of emotions and societal opinions, we find in season two the embrace of a unique relationship – and how sometimes what we thought we knew, or knew we thought, or felt, gets turned upside down when playtime ends and real life enters back in… 

MUSIC NEEDS: INDIE and EMERGING ARTISTS and Songs (unsigned okay) - open to Males, Females, Bands  
**Special Notes:  this season we are still targeting a “Portland style” artist/music approach (actual Portland artists not a requirement for pitches, but let us know if they are)… not drastically different from last season, but aiming more contemporary/hip/today and edgy/alt cool… 



•   Spot Closed: SPOT A:  Coffee Shop / Singer-Songwriter (full productions to guitar/vocals, all tempos) - ala Courtney Barnett, Elliot Smith, Conor Oberst/Bright Eyes, Kate Nash, Ryan Adams, Tame Impala

•   Spot Closed: SPOT B:  General Indie/Alt.Folk/rock - ala Lightning Dust, Wye Oak, Dark Dark Dark, Iron & Wine, Sharon Van Etten, Cat Power

•   Spot Closed: SPOT C:  Indie Rock / Alt Rock - ala Modest Mouse, Arcade Fire, Broken Social Scene, The Postal Service, Matt and Kim, The National

•  Spot Closed: SPOT D:  Sexy Date Night – Electronica and Rock - ala Phantogram, Ellie Goulding, "Justin Timberlake SexyBack", Disclosure, Flume- and also perhaps more Portland acoustic indie version of "sexy date music"


•   Spot Closed: SPOT E:  Sexy/electro/rock (from subtly ‘sultry’ to ‘playful’ to sexy/rock) - ala Phantogram, Banks, Feist, Mads Langer, Lykke Li, Oh Land

•   Spot Closed: SPOT F:  Quirky/fun (alt artist quirky feel – all tempos) – ala The Weepies, She and Him, St. Vincent, Benjamin Gibbard/Death Cab For Cutie, The Mountain Goats 

•   Spot Closed: SPOT G:  Hypnotic/Ennui (vibey and moody) – ala Sufjan Stevens, Andrew Bird, M83, Sigur Ros, Japancakes 

 NEW FOCUS NEEDS: **both of these new spots - think "fun punk" or "sexy vibey punk" (NOT dark or heavy angst punk)

  •   Spot Closed: SPOT H:  Fun Punk - ala temps such as: Mannequin Pussy "Emotional High", Japandroids "Young Hearts Spark Fire", The Pixies "Hey", The Disturbed "I Don't Believe"
  •   Spot Closed: SPOT I:  Alt/Indie-Punk/Rock - ala temps such as: Hole "Aweful", Charlotte Day Wilson "Work", The Cave Singers "Black Leaf"/"Dancing On Our Graves"


•      Email Subject Line:  Please say project and spot (i.e. YMH2 Spot A ; YMH2 Spot B, etc...) in your subject line.
•      Format:  MP3's via email preferred - limit 1-2 per email (please NO links to your ftp, wetransfer or streaming sources Without Permission - links may expire prior to retrieval).
•      Licensing %:  Please state what % of sync rights and % of master rights you control/license on behalf of for your pitches.
•      Budgets:  This is an indie micro-budget project – limited fees negotiable - Primary compensation Performance Royalties via inclusion on Cue Sheets and End Credit Listing. 


"ROGUE" - Television Series (season 4)

Cast: Richard Schiff (West Wing), Cole Hauser (Transcendence, Good Will Hunting), Ashley Greene (Twilight, CBGB), Neal McDonough (Minority Report, Captain America), Meaghan Rath (New Girl, Being Human)

Network: DirecTV's Audience Network 

Production Company: eOne Entertainment 

Music Supervisor: Mason Cooper

Status: In Production / Post Production


Synopsis: Season 3 saw Mia Rochlan (Ashley Greene) and Ethan Kelly (Cole Hauser) cross paths in Chicago, drawn into the dangerous worlds of the Russian mafia, the DEA and FBI, and government espionage. Was Mia the victim she claimed to be or the manipulative femme fatale who’d stop at nothing to get what she wanted? Ethan straddled the fence of his ex-army experience, working straight jobs or going rogue, stepping outside the confines of the law in order to bring his business associate attorney Marty Stein (Richard Schiff) to justice… Ethan had to make a decision on trusting either Mia or Marty as they have to cooperate in order to pull off a complicated heist.  Season 4 brings the show back to its previous San Francisco setting with its characters facing skeletons from the past and seeking revenge…


MUSIC NEEDS: INDIE and EMERGING ARTISTS and Songs (unsigned okay) - open to Males, Females, Bands

**Special Notes:  this music for the series can be summed up as “vibey” – mostly alt rock to alt folk, occasionally singer/songwriter or hiphop, as well as a variety of today’s version of the San Francisco sound…  focus on the dark/moody/hipster-cool/vibey side of the styles listed below (nothing too ‘pop’)



• FOCUS NEED:  SPOT A : Indie Alt/Indie Rock Vibe -  (nothing too 'pop') - should have dark, cool, edgy, moody, vibey tones and themes - 
ala The Head And The Heart, Lord Huron, Cage The Elephant, Cold War Kids, The National, Cults, Laura Welsh  *NEED SLOWER / DARK / FOREBODING / COOL-MOODY


• SPOT B: Vibey Roots Rock - ala Wilco, Ryan Adams, My Morning Jacket, Ryan Bingham, Grace Potter, Gin Wigmore, Royal Blood


• CLOSED SPOT - SPOT C: Alt Rock Groove - ala Lenny Kravitz, Joss Stone, The Black Keys, Trixie Whitley, Serena Ryder, Delta Rae, Alabama Shakes


• CLOSED SPOT - SPOT D: General alternative/contemporary/post-punk indie rock - ala Allah Las, White Denim, The Kooks, The Strokes, Young The Giant, Dinosaur Pile-Up, Death From Above 1979


• CLOSED SPOT - SPOT E: Alt.Folk/Indie Acoustic/Singer-Songwriter - Mellow/Vibe/Moody – ala The Civil Wars, Drew Holcomb & The Neighbors, Amos Lee, Laura Veirs, Ben Howard, Elliott Brook

• CLOSED SPOT - SPOT F: San Francisco rock/alt – from Green Day to The Doobie Bros., Santana to Starship, Dead Kennedy’s to Train – but TODAY’s version…  Music/artists that evoke the general aesthetic of San Francisco and the surrounding area…


  • CLOSED SPOT - SPOT G: HipHop – from hardcore/gangsta to chill and moody - edgy "Street", hardcore okay, "attitude" themes good, chill style great sounding tracks (explicit okay)




·   Format: MP3's via email preferred - limit 1-2 per email (please NO links to your ftp, wetransfer or streaming sources without permission - links may expire prior to retrieval).

·   Email Subject Line: Please say project and spot (i.e. ROGUE Spot A ; ROGUE Spot B, etc...) in your subject line. 

·   Licensing: Please state what % of sync and master you control/license on behalf of for your pitches.

     ·   Budgets: Limited Licensing Fees available (negotiable), plus compensation via inclusion on Cue Sheets for Perf. Royalties; Possible End Credit Listing.